Goteborg
(some call it Gothenburg) is important for
Beowulf studies
because it's the city (borg) of the Geats (Gotar).
Scholars generally agree
that Hygelac, king of the Geats when Beowulf made his voyage to
Denmark, had his royal seat here, and it was probably from here that
Hygelac launched his fatal raid on the Frisians.
Modern
Goteborg
is a bustling port city of approximately half a million people. It's
built
around the harbour formed by the mouth of the Gota Alv (Geats' River),
which flows into the Kattegat from Lake Vaner. Like Copenhagen and
Stockholm, it features canals and waterways crossed by many bridges and
plied by tour boats, from one of which the
picture above was taken.
Goteborgs
Stadsmuseum (the
City Museum of Goteborg) is housed in a fine 18th-century building once
used as offices and warehouse by the East India Company. It has a
section for prehistoric and viking materials but it was closed while I
was

there, maybe for a special exhibition on life
under the Nazis.
When
I caught a glimpse of an unfurled Nazi flag, I went no further.
Otherwise, as you can see from the picture to the left, it's an
attractive building with decorating on the vaulted ceilings over the
stairways, which reminded me of the decorations inside
Gamla
Uppsala Kyrka.Below is Centralstation,
Goteborg's rail hub and our

landmark for excursions because it was easy to
find our hotel (the Rica) from it. The building dates from the 1850s
and is
registered,
(which I believe means the same as "heritage designated", as we say in
Ontario).


This handsome guy
in the frilly britches is Gustav II Adolf, the official
founder of Goteborg. Looks like he's saying, "Build her right here,
boys!" This statue is in Gustav Adolfs Torg, on the way to the
Stadsmuseum from Centralstation.
To the right is
another Goteborg resident that likes to look around from high places.
This one's on a van in Kungstorget. I thinks it's a herring gull, Larus
argentatus.



That
knobbly green worm above writhes out of the ground in Kungsparken. It's
about the size of a small pony, and presumably it's for kids
to play on. It looks more benign than the Swedish
wyrm that got
Beowulf; it has no wings or teeth.
Nearby are people
fishing, one little girl (left) with a pole about three times her own
length. There are said to be salmon in these canals, which may explain
why folks use such heavy tackle. To me (a North American) it's amazing
that people can catch fish like salmon or trout in their downtown
areas. If only we (Canadians) would design and manage our urban environments so
well.
I spotted the headline below at a newstand in
Kungsportsplatsen. It's about the outrage that took place at Glasgow
Airport on July 1; the headline is the following day's, Monday
July 2, 2007. I have a question about this. Many people tell
me not to ask it, perhaps because they have no answer.


I'll
save it for the bottom of the page; let's get on with the tour. To the
right are some Paddan Boats, which take you on a cruise around some of
Goteborg's canal
system. From the bridge at Kungsportsplatsen you can either
cross the canal and stroll down the Avenyn (below), or you can
hop

on a Paddan Boat and take a one-hour tour through
canals and out into the busy harbour in the Gota Alv river.
We took the
canal tour. Our guide was the cheerful young man at the top of the page.


In the two shots above we're moving northeast up
the Vallgraven Canal towards Slussplats. I admired the bridge designs,
examples of what engineers can do to make public works that last a long
time and are pleasing to look at.
At left is an old (1873)
canal lock. We turned sharp left here, to head towards the Gota Alv
along Hamnkanalen.

Right,
I can think of worse things to do than stand in the middle of a quaint
old bridge watching the boats pass underneath - though I'd rather be on
one of the boats!
You can tell from the designs that
Swedes were making these investments in public infrastructure about a
century ago, when Sweden wasn't a particularly affluent

country. Building and preserving top-quality
public works is a good long-term investment; that's the moral I draw
from this.
We're still heading westward on the
Hamnkanalen towards the Gota Alv. Below is some fancy metalwork on a
bridge railing. It looks like the sea-

god Poseidon.
Some
of these bridges were so low we had to duck while going under them.
Below, we're nearly at the river.

Next we took a right turn into the Gota
Alv and passed the
Bohuslan,
a steamship I'd like to take a cruise on. It cruises the archipelago
and would probably be a great way to view some of Sweden's
fabled west coast. Maybe next time!



Above
is the "lipstick Building" - not its official name, but the one people
generally refer to it by. Maybe it's not as ugly as it looks. I know
strange buildings can "grow" on a person but I'd need a few
more days to acquire a taste for this one. Next to it is the
Viking, a clipper
ship that also goes on cruises, docked near
Goteborgs Operan,
the city's new opera building - which also may not be as ugly as it
first appears.


To the left is a huge floating dry dock, in which
ships are built over the water, which I guess makes them easier to
launch.
To the right is a touching piece of
sculpture, high atop a tower behind the
Sjofartsmuseet
(Maritime Museum). It's officially called
Sjomanstornet,
unofficially "the woman by the sea," dramatizing the heartwrench felt
by those who love a sailor.
Below, we're heading
into the home stretch. The docking area at Kungsportsplatsen is around
the bend ahead. The park system to the right is about 1.4 kilometers
(nearly a mile) long and about 100 meters (100 yards) wide, and it's
right in the downtown heart of a
bustling industrial city.

There's a
lot of sculpture in Scandinavia. This fountain (below) is in
Kungsgatan, part of the park system you saw to the right of the
Rosenlunds kanalen.


These
birds hanging out in Kungsgatan are Eurasian Jackdaws (corvus
monedula), smaller and I think cuter cousins of the crow. A few have
been sighted in North America recently. They're "suspected of being
escapees;" from what, I wonder.
We found a nice
place to have lunch in Kungsportsplatsen (below right); it's a floating
restaurant called Atta Glas, right next to the Paddan Boat wharf.
Below,
on our way to the Tradgardsforningens Park I saw this young

Swede having a read. The Park
boasts
a huge glass conservatory, the
Palmhuset
(below right), modelled after the Crystal Palace in London.

And there's a fine rose garden (below),
which my sister Brenda was very interested

in because
she grows them.


I
do plan to return to Goteborg on my next
Beowulf mission,
even though I drew a blank this time (except for the knobbly green
worm) as far as
Beowulf
materials were concerned. I'm sure with more research I'll find more
resources to explore, and I'll make sure the Stadsmuseum's Prehistoric
and Viking section is open when I plan my visit.
That's
it for Goteborg. If you're interested in that question I mentioned,
read on; if not I suggest you move on to
Gamla Uppsala.
Wes thu hal!
- Mike Walton
Digression -The
Question my relatives in
the UK think I shouldn't ask:

Since the belief system adhered to by the
would-be Glasgow terrorists and others in London, Amsterdam, Madrid,
New York, Toronto and elsewhere behaves so badly in
all countries where it gains power - I'm talking about public flogging
of rape victims, oppression of women, "honour" killings, trashing of human rights,
intolerance, tyranny, corruption and dysfunctionality in public life -
why are we in the West going to such unseemly lengths to accommodate
it?
Instead of killing "insurgents" in the hills
of Afghanistan or the streets of Iraq, wouldn't it be more ethical to
tell this belief system's adherents that this ideology will get no
respect, no concessions, no tolerance of its outlandish, cruel ideas,
until it cleans up its act?
On the location of
the Geats in Beowulf's time, see
R.W. Chambers, Beowulf,
An
Introduction to the Study of the Poem with a Discussion of the Stories
of Offa and Finn,
Third Edition. Cambridge University Press, 1959, pages 9 and 340.