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 Copenhagen Nationalmuseet:
Stolen Treasures,
Expert Ironsmithing,
an Axe-wielding Saint


Nationalmuseet sign, Ny Vestergade 10, Copenhagen
Ny Vestergade 10, Copenhagen, Denmark
Nationalmuseet, Ny Vestergade 10, Copenhagen
A viking saint, a rare piece of loot, and an elaborately iron-studded door weren't the only treasures worth looking at in the National Museum.

I was impressed with the National   museet's collection of viking-age runestones, side-lit so you can see the runes incised into the stone, and with big clear plexiglas signs explaining the runes and filling in information such as sources and dates.

The handsome building was a royal palace in the 18th century.

Cunning Smithery

Church door, ca. 1200-1250. Nationalmuseet CopenhagenIn Beowulf when Grendel raids Heorot, planning to dine on Beowulf and his Geats, "The door sprang open,/with forged-bands fastened, when his hands touched it" (lines 721-22). I have long wondered what the forged bands on that door might have looked like.

The hall soon thunders with the commotion of Beowulf and Grendel in a to-the-death wrestling match. The poet explains that although Heorot is getting knocked about, it won't fall because "the beautiful building ... was fastened/within and without,     with iron bands,/ by cunning smiths" (lines 772-75).

The cunningly forged iron pieces on this 13th-century church door (left) depict a dragonslayer below the upper hinge strap. He's thought to be either St. George or St. Michael (and he could be the Scandinavian hero Sigemund, mentioned in Beowulf.)

Ranveig's Present, Nationalmuseet Copenhagen"Ranveig Owns this Shrine" This 8th- or 9th-century box for holding saints' relics was made in Ireland. It is wooden with silver-plated copper plates and set with semi-precious stones. The declaration of ownership by a woman named Ranveig is scratched in runes on the bottom of the box. The Museum says it was "undoubtedly stolen from an Irish church." It was then "acquired" from a church in Norway when Denmark still controlled that country.

This is only one bit of evidence, but could it be that one answer to that often-asked question, "What drove Scandinavian men to go a-viking?" is "To bring back something nice for the missus."

Below, this hacksilver from Bornholm is an example of how vikings cut up silver objects so they could be weighed and used as currency. Coins minted in different countries were also used.

Hacksilver from horde in Bornholm, Natonalmuseet Copenhagen


Iron tools, Nationalmuseet, CopenhagenTools  

Practical and decorative crafts have been important in Scandinavia for thousands of years.  Scandinavians still show strong appreciation for goods that are well-crafted and of pleasing design. Some of the best carpentry and woodworking tools still come from Scandinavia.

This case of tools represents carpentry, building and blacksmithing trades -- all of them in high demand in viking-age Scandinavia.

Saint Olaf in Carved Wood, painted, 13th century

Holy Olaf!

As suggested by the axe he is wielding in this 13th-century wood sculpture, King Olaf Haraldsson got carried away in his efforts to promote Christianity in Norway. He had wrested the kingdom away from the Danes (under Cnut the Great, who had gone to England), and made himself King of Norway in 1016.

His excessive zeal in converting his subjects caused a revolt, and Olaf had to flee to Sweden. When he returned to Norway he was killed at the Battle of Stiklestad in 1030 CE.

His brutality in promoting the faith did not prevent his being canonized as a saint. The Museum says that "During the Middle Ages Saint Olaf the Holy was the most venerated amongst the national saints of the North." This masterpiece came to Denmark from Tylldalen Church, Hedmark, Norway.


Memorial Rune Stones

It was in the viking 'job-description' that there'd be a good chance of meeting death far from home. Many of the runestones that dot the countryside in Denmark and Sweden commemorate men who died while pirating or trading overseas. The viking-age memorial runestone below was reshaped, destroying some of the runes and the drawing of a ship above them, then reused in a medieval church.

The Museum provides transliterations, translations and other information on runes and runestones, on transparent plexiglas panels near each stone. This one has five rows of runes. The row at the top, arranged sideways along a common horizontal line, are called same-stave runes. The rows are to be read from the bottom row up. According to the Museum, they read (from bottom up):

Viking Memorial Runestone, Nationalmuseet Copenhagen...sur sati stin|thinsi haft asku|bruthur sin ian|uarth tuthr a ku| thur ulk (r)unar
This is thought to mean, "...sur [first runes of name are erased] set this stone for his brother As, and he met death in Gotland. Thor bless these runes."

You can pick out a few words  familiar to English speakers: stin for stone, bruthur for brother, and thur for Thor.

The Nationalmuseet has a lot more of these stones, well displayed and clearly documented.

The Danish Prehistory section of the Nationalmuseet was closed for reorganization. It will reopen in May, 2008. (Oh darn! I'll have to go back to Copenhagen!)


If you're here strictly on Beowulf business, skip the next visit,
Copenhagen -- A Quick Look Round

but don't miss the Viking shipyard 

or the Viking Ships Musem (Vikingskibs Museet) at Roskilde

Iron-Age Village, Lejre Research Centre

for more on runestones, go to Vallentuna Area Runestones.



If you'd rather search in England, Sweden or Norway, click on one of these links:

London, Maldon and Sutton Hoo:
 
Goteborg, Gamla Uppsala, Vallentuna, Stockholm:
Oslo, Bygdoy and Bergen:
Norway-Beowulf-resources



Copyright: The quotations from Beowulf are from Mike Walton's The Book of Beowulf (Cayuga, Ontario: Copyright 2007), pages 48 and 49. You may use the materials on this site for an essay or for private Beowulf study, but not commercially. Do credit your source!



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